When Harry Met Sally... is a 1989 romantic comedy film written by Nora Ephron and directed by Rob Reiner. It stars Billy Crystal as Harry and Meg Ryan as Sally. The story follows the title characters from the time they meet just before sharing a cross-country drive, through twelve years or so of chance encounters in New York City. The film raises the question "Can men and women ever just be friends?" and advances many ideas about love that have become household concepts now, such as the "high-maintenance" girlfriend and the "transitional person".
The origins of the film came from Reiner's return to single life after a divorce. Ephron interviewed Reiner and it provided the basis for Harry. Sally was based on Ephron and some of her friends. Crystal came on board and made his own contributions to the screenplay, making Harry funnier. Ephron supplied the structure of the film with much of the dialogue based on the real-life friendship between Reiner and Crystal. The soundtrack consists of standards performed by Harry Connick, Jr., with a big band and orchestra arranged by Marc Shaiman. Connick won his first Grammy for Best Jazz Male Vocal Performance.
Columbia Pictures released the film using the "platform" technique, which involved opening it in a few select cities letting positive word of mouth generate interest and then gradually expanding distribution over subsequent weeks. When Harry Met Sally... grossed a total of US$92 million in North America, about 575% gain on its $16 million budget. Ephron received a British Academy Film Award, an Oscar nomination, and a Writers Guild of America Award nomination for her screenplay. The film is 23rd on AFI's 100 Years... 100 Laughs list of the top comedy films in American cinema and number 60 on Bravo's "100 Funniest Movies". In early 2004, the film was adapted for the stage in a production starring Luke Perry and Alyson Hannigan.
In 1977, Harry Burns and Sally Albright finish college at the University of Chicago and meet when both need someone to share the drive to New York City, where Harry is starting grad school and Sally is beginning a career. At the time, Harry is dating a friend of Sally's, and the film soon presents their differing ideas about relationships between men and women. It is Harry's view that, "Men and women can't be friends because the sex part always gets in the way." Sally disagrees, claiming that men and women can be strictly friends without sex. This argument becomes the film's underlying theme. On the way, at a stop in a diner, Sally is angered when Harry tells her she is attractive; she accuses him of making a pass at her. In New York, due to their divergent philosophies, they part on less than friendly terms.
Five years later, they meet in a New York airport and find themselves on the same plane. Both are in relationships; Sally has just started dating a man named Joe, and Harry is engaged to a woman named Helen, which surprises Sally. Harry suggests they become friends, forcing him to elaborate on his previous rule about male-female friendships; they can never be friends because sex will always be in their way spoiling it. They separate concluding that they will not be friends.
Harry and Sally meet yet again six years later, in a New York bookstore. They have coffee together and talk about their previous relationships, which have ended. After leaving the café, they take a walk and decide to be friends. In subsequent scenes, they have late-night phone conversations, go to dinner, and spend a lot of time together. Their dating experiences with others continue to highlight their different approaches to relationships and sex.
During a New Year's Eve party Harry and Sally find themselves attracted to each other. Though they remain friends, they set each other up with their respective best friends, Marie and Jess. The four go to a restaurant, where Marie and Jess hit it off; they ultimately get engaged. One night, Sally tearfully tells Harry over the phone that her ex, Joe, is getting married, and he rushes to her apartment to comfort her. They unexpectedly have sex that night, resulting in an awkward moment next morning as Harry quickly leaves in a state of distress. This creates tension in their relationship. Their friendship cools for three weeks until the two have a heated argument during Jess and Marie's wedding dinner. Following this fight, Harry repeatedly attempts to mend the friendship with Sally.
Then, at a New Year's Eve party that year, Sally feels alone without Harry by her side. Meanwhile, Harry is shown spending New Year's alone. As she decides to leave the party early, Harry appears and declares his love for her; they make up and kiss. In the last segment, in which couples discuss their relationship histories, Harry and Sally are the last interviewed—they have gotten married.
In 1984, director Rob Reiner, producer Andy Scheinman and writer Nora Ephron met over lunch at the Russian Tea Room in New York City to develop a project. Reiner pitched an idea for a film that Ephron rejected. The second meeting transformed into a long discussion about Reiner and Scheinman's lives as single men. Reiner remembers, "I was in the middle of my single life. I'd been divorced for a while. I'd been out a number of times, all these disastrous, confusing relationships one after another". The next time they all met Reiner said that he had always wanted to do a film about two people who become friends and do not have sex because they know it will ruin their relationship but have sex anyway. Ephron liked the idea, and Reiner acquired a deal at a studio.
She then proceeded to interview Reiner and Scheinman about their lives in order to have material on which to draw. These interviews also provided the basis for Harry. Reiner was constantly depressed, pessimistic yet very funny. Ephron also got bits of dialogue from these interviews. Sally was based on Ephron and some of her friends. She worked on several drafts over the years while Reiner made Stand By Me and The Princess Bride . Billy Crystal came on board when the project was called Boy Meets Girl and made his own contributions to the screenplay, making Harry funnier. The comedian "experienced vicariously" Reiner's (his best friend at the time) return to single life after divorcing comedienne/filmmaker Penny Marshall and in the process was unconsciously doing research for the role of Harry.
During the screenwriting process when Ephron would not feel like writing, she would interview people who worked for the production company. Some of the interviews appeared in the film as the interludes between certain scenes featuring couples talking about how they met, although the material was rewritten and reshot with real actors. Ephron supplied the structure of the film with much of the dialogue based on the real-life friendship between Reiner and Crystal. For example, in the scene where Sally and Harry appear on a split screen, talking on the telephone while watching their respective television sets, channel surfing, was something that Crystal and Reiner did every night.
Originally, Ephron wanted to call the film, How They Met and went through several different titles. Reiner even started a contest with the crew during principal photography - whoever came up with the title won a case of champagne. In order to get into the lonely mindset of Harry when he was divorced and single, Crystal stayed by himself in a separate room from the cast and crew while they were shooting in Manhattan. The script initially ended with Harry and Sally remaining friends and not pursuing a romantic relationship because she felt that was "the true ending", as did Reiner. Eventually, Ephron and Reiner realized that it would be a more appropriate ending for them to marry, though they admit that this is generally not a realistic outcome.
When posed the film's central question, can men and women just be friends, Ryan replied, "Yes, men and women can just be friends. I have a lot of platonic (male) friends, and sex doesn't get in the way." Crystal said, "I'm a little more optimistic than Harry. But I think it is difficult. Men basically act like stray dogs in front of a supermarket. I do have platonic (women) friends, but not best, best, best friends."
Rob Reiner initially envisioned actress Susan Dey for the role of Sally Albright. When she declined, he later considered Elizabeth Perkins. He also considered to cast Elizabeth McGovern. Molly Ringwald was almost cast, but Meg Ryan convinced Reiner to give her the role.
The film may be best known for a scene featuring the two title characters having lunch at Katz's Deli in Manhattan. They are arguing about a man's ability to recognize when a woman is faking an orgasm. Sally claims men cannot tell the difference, and to prove her point, she vividly (but fully clothed) fakes one as other diners watch. The scene ends with Sally casually returning to her meal as a nearby patron (played by Reiner's mother) places her order: "I'll have what she's having." This scene was shot again and again, and Ryan demonstrated her fake orgasms for hours. Katz's Deli still hangs a sign above the table that says, "Where Harry met Sally... hope you have what she had!".
This classic scene was born when the film started to focus too much on Harry. Cry
Trailers; My Movies; DVD & Blu-Ray; Independent Film; Top 250; Browse; Genres; Road to the Oscars ... Three Hundred Miles for Stephanie (1981) (TV)
Welcome to FilePlanet, the leading online destination for Dungeons & Dragons Online Unlimited - Three-Barrel Cove Trailer downloads and hundreds of thousands of other game files ...
trailers and videos full cast and crew trivia official sites memorable quotes ... View company contact information for Three Hundred Big Boys on IMDbPro.
Trailer for One Hundred Mornings, which screened at the 2010 Slamd... Posted 2010-01-28 15:25:26 ... The Mummy: Tomb of the Dragon Emperor Three-Headed Dragon Rating: Runtime: 0m53s ...
It’s Steven Meisel latest book Three Hundred And Seventeen & Counting. ... Lady Gaga – Telephone ft. Beyoncé ; TRON: LEGACY Official Trailer ; Contact Us
View the Trailer, Previews, Photos, Clips, Reviews, and our Exclusive Videos. Stars Tony Orlando, Edward James Olmos, Pepe Serna, Julie Carmen, Rosanna DeSoto, Gregory Sierra.
Trailer Personal Velocity is a tale of three women who have reached a turn... ... One Hundred Mornings Not Broken Rating: Runtime: 0m58s | Views: 198
BuyTV Reviews; Spotlight Videos; Trailers ... Impressively spacious and unbeatably reliable, the Antec Three Hundred is an unbeatable ...
Three Hundred Years of Linnaean Taxonomy [Part 1 of 5] ... 300 Movie Trailer. (Full version) MUST WATCH!