Bbc One Radio

BBC Radio 1 is a British national radio station operated by the BBC which also broadcasts internationally, specialising in current popular music and chart hits throughout the day. Radio 1 provides alternative genres after 7:00pm including electronic dance, hip hop, rock or interviews. It is aimed primarily at the 15–29 age group, although the average age of the audience is 33. Radio 1 was launched at 7:00am on 30 September 1967 as a direct response to the popularity of offshore pirate radio stations such as Radio Caroline, which had been outlawed by Act of Parliament.

History

First broadcast

The first DJ to broadcast on the new station was Tony Blackburn, whose cheery style, first heard on Radio Caroline and Radio London, won him the prime slot on what became known as the "Radio 1 Breakfast Show" (although its original formal title, as shown in the Radio Times was Daily Disc Delivery , while Blackburn himself referred to it eponymously as the Tony Blackburn Show ). The first words on Radio 1 – after a "countdown" by the Controller of Radios 1 and 2, Robin Scott, and a jingle, recorded at PAMS in Dallas, Texas, beginning "The voice of Radio 1" – were "... And, good morning everyone. Welcome to the exciting new sound of Radio 1". This was the first use of US-style jingles on BBC radio, but the style was familiar to listeners who were acquainted with Blackburn and other DJs from their days on pirate radio. The first complete record played on Radio 1 was "Flowers in the Rain" by The Move (although technically the first music played was "Theme One" by George Martin leading into part of "Beefeaters (On Parade)" by Johnny Dankworth, Blackburn's signature tune carried over from pirate radio). The second single was "Massachusetts" by The Bee Gees. There has been some speculation that the inclusion of "Flowers in the Rain" was intended to signal the end of the "flower power" "Summer of Love" of 1967. The breakfast show remains the most prized slot in the Radio 1 schedule, with every change of breakfast show presenter exciting considerable media interest. The initial rota of staff included John Peel (who remained with the station until his death in October 2004) and a gaggle of others, some hired from pirates, such as Keith Skues, Ed Stewart, David Ryder, Jim Fisher, Jimmy Young, Dave Cash, Kenny Everett, Simon Dee, Duncan Johnson, Doug Crawford, Tommy Vance, Chris Denning, Emperor Rosko, Pete Murray, and Bob Holness. Many of the most popular pirate radio voices, such as Simon Dee, had only a one-hour slot per week, ("Midday Spin.") Annie Nightingale, who joined just after the launch in 1970, was effectively Britain's first female DJ and is now the longest serving presenter, having constantly evolved her musical tastes with the times.

Seventies peak

Initially, the station was unpopular with some of its target audience who, it is claimed, disliked the fact that much of its airtime was shared with Radio 2 and that it was less unequivocally aimed at a young audience than the offshore stations, with some DJs such as Jimmy Young being in their 40s. The very fact that it was part of an "establishment" institution such as the BBC was a turn-off for some, and needle time restrictions prevented it from playing as many records as offshore stations had. It also had limited finances (partially because the BBC did not increase its licence fee to fund the new station) and often, as in January 1975, suffered disproportionately when the BBC had to make financial cutbacks, strengthening an impression that it was regarded as a lower priority by senior BBC executives.

Despite this, it gained massive audiences, becoming the most listened to station in the world with audiences of over 10 million claimed for some of its shows (up to 20 million for Blackburn's Breakfast Show). In the early-mid 1970s Radio 1 presenters were rarely out of the British tabloids, thanks to the Publicity Department's high profile work. The popularity of Radio 1's touring summer live broadcasts the Radio 1 Roadshow - usually as part of the BBC 'Radio Weeks' promotions that took Radio 1,2 and 4 shows on the road - drew some of the largest crowds of the decade. The station undoubtedly played a role in maintaining the high sales of 45 rpm single records although it benefited from a lack of competition, apart from Radio Luxembourg and the tiny Manx Radio in the Isle of Man. (Independent Local Radio did not begin until October 1973 and took many years to cover virtually all of the UK).

Nineties changes

In his last few months as controller, Johnny Beerling commissioned a handful of new shows that in some ways set the tone for what was to come under Matthew Bannister. One of these "Loud'n'proud" was the UK's first national radio series aimed at a gay audience (made in Manchester and aired from August 1993). Far from being a parting quirk, the show was a surprise hit and led to the network's first coverage of the large outdoor Gay Pride event in 1994. Bannister took the reins fully in October 1993. His aim was to rid the station of its 'Smashie and Nicey' image and make it appeal to the under 25s. Although originally launched as a youth station, by the early 1990s, its loyal listeners (and DJs) had aged with the station over its 25 year history. Many long-standing DJs, such as Simon Bates, Dave Lee Travis, Alan Freeman, Bob Harris, Gary Davies, and later Steve Wright, Bruno Brookes and Johnnie Walker left the station or were sacked, and in January 1995 old music (typically anything recorded before 1990) was banned from the daytime playlist.

Many listeners rebelled as the first new DJs to be introduced represented a crossover from other parts of the BBC (notably Bannister and Trevor Dann's former colleagues at the BBC's London station, GLR) with Emma Freud and Danny Baker. Another problem was that, at the time, Radio 2 was sticking resolutely to a format which appealed mainly to those who had been listening since the days of the Light Programme, and commercial radio, which was targeting the "Radio 1 and a half" audience, consequently enjoyed a massive increase in its audience share at the expense of Radio One.

After the departure of Steve Wright, who had been unsuccessfully moved from his long-running afternoon show to the breakfast show in January 1994, Bannister hired Chris Evans to present the prime morning slot in April 1995. Evans was a popular but controversial presenter who was eventually sacked in 1997 after he demanded to present the breakfast show for only four days per week. Evans was replaced from February 17, 1997 by Mark and Lard – Mark Radcliffe (along with his sidekick Marc Riley), who found the slick, mass-audience style required for a breakfast show did not come naturally to them. They were replaced by Zoe Ball and Kevin Greening eight months later in October 1997, with Greening moving on and leaving Ball as solo presenter. The re-invention of the station happened at a fortuitous time, with the rise of Britpop in the mid-90s – bands like Oasis, Blur and Pulp were popular and credible at the time and the station's popularity rose with them. Documentaries like John Peel's "Lost In Music" which looked at the influence that the use of drugs have had over popular musicians received critical acclaim but were slated inside Broadcasting House.

Later in the 90s the Britpop boom declined, and manufactured chart pop (boy bands and acts aimed at sub-teenagers) came to dominate the charts. New-genre music occupied the evenings (indie on weekdays and dance at weekends), with a mix of specialist shows and playlist fillers through late nights. The rise of rave culture through the late 80s and early 90s gave the station the opportunity to move into a controversial and youth-orientated movement by bringing in a club DJ, Pete Tong. This quickly gave birth to the Essential Mix where underground DJs mixed rave and club based music in a two hour slot. Dance music has been a permanent feature on Radio 1 since with club DJ's such as Judge Jules, Danny Rampling and Seb Fontaine all having shows as well as Radio 1 hosting an annual weekend in Ibiza.

Listening figures continued to decline but the station succeeded in targeting a younger age-group and more cross gender groups. Eventually, this change in content was reflected by a rise in audience that is continuing to this day. Notably, the station has received praise for shows such as The Sunday Surgery, Bobby Friction and Nihal, The Evening Session with Steve Lamacq and its successor Zane Lowe. Its website has also been well received.

A new evening schedule was introduced in September 2006, dividing the week by genre. Monday is mainly pop-funkrock-oriented, Tuesday is R&B and hip-hop, Thursday and Friday are primarily dance, with specialist R&B and reggae shows.

However, the breakfast show and the UK Top 40 continued to struggle. In 2000, Zoe Ball was replaced in the mornings by friend and fellow ladette Sara Cox, but, despite heavy promotion, listening figures for the breakfast show continued to fall. In 2004 Cox was replaced by Chris Moyles. The newly rebranded breakfast show is known as The Chris Moyles Show and has increased its audience, now ahead of The Today Programme on Radio 4 as the second most popular breakfast show (after 'Wake up with Wogan' hosted by Terry Wogan), Moyles though continued to use innovative ways to try to tempt listeners from the 'Wake up with Wogan' show by, in 2006, creating a 'SAY NO TO WOGAN' campaign live on-air, this angered the BBC hierarchy though the row simmered down when it was clear that the 'campaign' had totally failed to alter the listening trends of the time – Wogan still i

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