Car Audio And Video Equipment
Car Audio And Video Equipment
Car audio/video (car AV) , mobile audio, 12-volt and other terms are used to describe the sound or video system fitted in an automobile. While 12-volt audio and video systems are also used, marketed, or manufactured for marine, aviation, and buses, this article focuses on cars as the most common application. From the earliest days of radio, enthusiasts had adapted domestic equipment to use in their cars. In the 1960s, tape players using reel to reel equipment, Compact Cassettes, and then 8-track cartridges were introduced for in-car use.
A stock car audio system refers to the OEM application that the vehicle's manufacturer specified to be installed when the car was built. A large after market industry exists where the consumer can at their desire replace many or all components of the stock system. In modern cars, the primary control device for an audio system is commonly referred to as a head unit, and is installed in the center of the dash panel between the driver and the passenger. In older vehicles that had audio components as an option, such devices were mounted externally to the top of or underneath the dash. Car speakers often use space-saving designs such as mounting a tweeter directly mounted over a woofer or using non-circular cone shapes. Subwoofers are a specific type of loudspeaker for low frequency reproduction. Extremely loud sound systems in automobiles, which have been nicknamed "boom cars", may violate the noise ordinance of some municipalities.
History
1930s
From the earliest days of radio, enthusiasts had adapted domestic equipment to use in their cars. The commercial introduction of the fitted car radio came in the 1930s from the Galvin Manufacturing Corporation. Galvin Manufacturing was owned and operated by Paul V. Galvin and his brother Joseph E. Galvin. The Galvin brothers purchased a battery eliminator business in 1928 and the corporation's first product was a battery eliminator that allowed vacuum tube battery-powered radios to run on standard household electric current (see also Rogers Majestic Batteryless Radio). In 1930, the Galvin Corporation introduced one of the first commercial car radios, the Motorola model 5T71, which sold for between $110 and $130 ( 2009: $1,700 ) and could be installed in most popular automobiles. Founders Paul Galvin and Joe Galvin came up with the name 'Motorola' when his company started manufacturing car radios . A number of early companies making phonographs, radios, and other audio equipment in the early 20th century used the suffix "-ola," the most famous being Victrola; RCA made a "radiola"; there was also a company that made jukeboxes called Rock-Ola, and a film-editing device called a Moviola. The Motorola prefix "motor-" was chosen because the company's initial focus was in automotive electronics.
In Germany Blaupunkt fitted their first radio to a Studebaker in 1932 and in the United Kingdom Crossley offered a factory fitted wireless in their 10 hp models from 1933. The early car radio receivers used the battery voltage (6.3 volts at the time) to run the vacuum tube filaments, and generated the required high voltage for the plate supply using a vibrator to drive a step-up transformer. The receivers required more stages than the typical home receiver in order to ensure that enough gain was available to allow the AGC to mask signal fading as the car was driven. When cars switched to 12-volt batteries, the same arrangement was used, with tubes with 12-volt heaters. In 1952 Blaupunkt became the first maker to offer FM receivers.
1950s
A common feature of modern car radios is the "seek" function which allows tuning from one station to the next at the push of a button. This was a popular option on some Ford products in the 1950s. It was known as the "Town & Country" radio since it used a pair of switches marked "Town" and "Country." Pressing the Town button actuated a motor to rotate the tuning mechanism while the receiver sensitivity was reduced so that only local (stronger) signals would be received. When a station was tuned, the motor stopped. Pressing the Country button had the same effect except that full sensitivity was enabled so that the very next available station would be selected. In addition, for repeated seeking operations, pressing a foot switch on the driver's floor up to the left where the "dead pedal" is located on modern cars would reactivate the Seek at whatever sensitivity was last selected.
1960s-1970s
The introduction of semiconductors (transistors) allowed the output stage to change to a transistor, which soon lead to the elimination of the vibrator, and the use of "space charge" tubes that only required 12 volts on their plates without a high voltage plate power supply. Advances in electronics allowed additions to the basic radio and Motorola offered 45 rpm disc players fitted to some Chryslers from as early as 1956. Tape players using reel to reel equipment followed, but their bulk ensured limited popularity. This changed in 1964 when Philips launched the Compact Cassette. During the '60s Lear invented and introduced the 8track cartridge in competition with the cassette system. Other early manufacturers and enthusiasts began building extra audio amplifiers to run on 12 volts (the standard voltage in automotive electrical systems). Jim Fosgate, later to become the founder of Rockford Fosgate, was one such pioneer. The company a/d/s also brought an amplifier to market in 1978.
1980s-1990s
In 1983, Zed Audio became the first company to build a 200 watt per channel car amplifier, which was invented by company founder Steven Mantz. At first, speakers from the home audio and professional markets were simply installed into vehicles. However, they were not well suited to the extremes of temperature and vibration which are a normal part of the environment of an automobile. Different manufacturing techniques, and different component materials were used in construction to adapt to these conditions.
Car audio competitions started in the early 1980s. The first known occurred in 1981 in Bakersfield, CA and evolved into an annual event, The Summertime Sound Off, which at its height drew upwards of 300 contestants and continued into the 1990s. Like the Summertime Sound Off, some competitions during the 1980s were judged based on sound and installation quality, particularly those hosted in California. But most were simply held to find the loudest and/or most outrageous installations. Perhaps the most well known vehicle of this time was the Wayne Harris modified 1960 Cadillac Hearse; featuring three 24-inch subwoofers as well as eight 12-inch subwoofers. During the late '80s, several interests in the car stereo industry promoted the formation of sanctioning organizations to provide common rules and to move the focus to sound quality.
The most important of these were CAN (formed by Alpine) and NACA (supported by shop owners and amp manufacturers). Both organizations sanctioned countrywide regional events and hosted National Championship events in the late 1980s. They merged to form IASCA in 1990. Despite the move to "quality" based judging, volume was still a significant portion of most early 1990s competitions. Since then, the two styles—SPL vs. sound quality—have become almost mutually exclusive. The loudness competitions have become known as dB drag racing. Currently, MEASQ conducts Sound Quality Competitions nationally in Australia. This back to basics competition format was developed by Marc Rushton, the founder of one of the largest enthusiast organisations known as Mobile Electronics Australia.
Common components and terms
Stock unit
A stock car audio system refers to the OEM application that the vehicle's manufacturer specified to be installed when the car was built. A large after market industry exists where the consumer can at their desire replace many or all components of the stock system.
Head unit
In modern cars, the primary control device for an audio system is commonly referred to as a head unit, and is installed in the center of the dash panel between the driver and the passenger. In older vehicles that had audio components as an option, such devices were mounted externally to the top of or underneath the dash.
The headunit itself is usually a multi-purpose device that houses multiple types of components in its housing. The most common components are a radio receiver/tuner usually with AM and FM bands, and a small amplifier for driving an audio signal to speakers. Other possible components include various media devices, such as (in older vehicles) a tape player (either 8-track or cassette), CD player, DVD player, Minidisc, USB flash memory, and even a hard disk drive typically used in notebook computing. Many head units also feature a DSP component, and equalization component (such as bass and treble controls), or a control interface for another feature on the car (such as a back-up/parking camera, navigation system, trip odometer, etc).
Due to auto manufacturing differences over the years, aftermarket headunit products are manufactured in multiple form factors. The primarily used size is mostly referred to by its legacy name of DIN, which refers to ISO 7736. DIN headunits come as single DIN or d
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