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LGBT themes in comics are a relatively new concept, as lesbian, gay, bisexual, and transgender (LGBT) themes and characters were historically omitted intentionally from the content of comic books and their comic strip predecessors, due to either censorship or the perception that comics were for children. With any mention of homosexuality in mainstream United States comics forbidden by the Comics Code Authority (CCA) until 1989, earlier attempts at exploring these issues in the US took the form of subtle hints or subtext regarding a character's sexual orientation. LGBT themes were tackled earlier in underground comix from the early 1970s onward. Independently published one-off comic books and series, often produced by gay creators and featuring autobiographical storylines, tackled political issues of interest to LGBT readers.
Since the 1990s LGBT themes have become more common in mainstream US comics, including in a number of titles in which a gay character is the star. European comics have been more inclusive from an earlier date. The lack of censorship, and greater acceptance of comics as a medium of adult entertainment led to less controversy about the representation of LGBT characters. The popular Japanese manga tradition has included genres of girls' comics that feature homosexual relationships since the 1970s, in the form of yaoi and yuri . These works are often extremely romantic and idealized, and include archetypal characters that often do not identify as gay or lesbian. Since the Japanese "gay boom" of the 1990s, a body of manga by queer creators aimed at LGBT customers has been established, including both bara manga for gay men and yuri aimed at lesbians, which often have more realistic and autobiographical themes. Pornographic manga also often includes sexualised depictions of lesbians and intersex people. Queer theorists have noted that LGBT characters in mainstream comic books are usually shown as assimilated into heterosexual society, whereas in alternative comics the diversity and uniqueness of LGBT culture is emphasized.
Comic strips have also dealt in subtext and innuendo, their wide distribution in newspapers limiting their inclusion of controversial material. The first openly gay characters appeared in prominent strips in the late 1970s; representation of LGBT issues in these titles causes vociferous reaction, both praise and condemnation, to the present day. Comic strips aimed at LGBT audiences are also syndicated in gay- and lesbian-targeted magazines and comics have been created to educate people about LGBT-related issues and to influence real-world politics, with their format and distribution allowing them to transmit messages more subtle, complex, and positive than typical education material. Portrayal of LGBT themes in comics is recognized by several notable awards, including the Gaylactic Spectrum Awards and GLAAD Media Awards for outstanding comic book and comic strip.
Comic strips
Early comic strips also avoided overt treatment of gay issues, though examples of homosexual subtext have been identified. The 1938-1939 edition of Milton Caniff's Terry and the Pirates features a primary villain, Sanjak, who has been interpreted by some as a lesbian with designs on the hero's girlfriend.
The first widely distributed comic strip to tackle LGBT themes and include a gay character was Garry Trudeau's Doonesbury . The strip introduced the character Andy Lippincott in 1976, and his diagnosis with HIV in 1989 and AIDS related death in 1991 was the first representation of this issue in comic strips. This storyline led to a Pulitzer Prize nomination for Trudeau, but three newspapers of the 900 carrying the strip refused to publish it as being in bad taste. Two years later, the long-standing character Mark Slackmeyer was revealed to be gay, continuing a reputation for controversial content. Slackmeyer, a liberal, continues to feature in the strip, with focus on his relationship with his politically conservative partner, Chase, including their marriage in 1999 and separation in 2007
The 11 July 1984 instalment of “Bloom County” had the strip's main characters staying at Bob & Ernie’s Castro Street Hotel, run by a gay S&M couple.
When Lynn Johnston's For Better or For Worse explored the coming out of a teenaged character in 1993, it provoked a vigorous reaction from conservative groups. Readers opposed to homosexuality threatened to cancel newspaper subscriptions, and Johnston received hate mail and death threats towards herself and her family. Over 100 newspapers ran replacement strips or canceled the comic. One result of the storyline was that Johnston was made a jury-selected "nominated finalist" for the Pulitzer Prize for Editorial Cartooning in 1994. The Pulitzer board said the strip "sensitively depicted a youth's disclosure of his homosexuality and its effect on his family and friends." Subsequent appearances of the character have not focused on his sexuality, and the creator has said that this will continue.
In most widely circulated strips, LGBT characters remained as supporting figures into the 21st century, with some, including Candorville and The Boondocks , featuring occasional appearances by gay characters. The conservative strip Mallard Fillmore occasionally approached gay issues from a critical perspective; these storylines have been described as "insulting" to LGBT people. Many openly gay and lesbian comic creators self-publish their work online as webcomics, giving them greater editorial freedom, and some of the strips are printed in collections. One example is Greg Fox's Kyle's Bed & Breakfast , a series focusing on a group of gay friends who live together and face realistic problems associated with their sexualities, including relationship troubles and being closeted.
Since the late 1980s specifically gay publications have also included comic strips, in which LGBT themes are ubiquitous. Local LGBT newspapers sometimes carry their own strips, like Ron Williams's Quarter Scenes in the New Orleans paper Impact . Strips including Wendel by Howard Cruse, and Leonard and Larry by Tim Barela, have been syndicated in national gay magazines like the Advocate .
Heavy Metal is a US-produced comic-stip magazine inspired by the French Métal Hurlant , with early issues being made up of direct translations from the French original. In Métal Hurlant science fiction and fantasy themed erotica often touches upon issues of sexuality. Much of the work of Frank Margerin was first published in Métal Hurlant before being collected in anthologies. Margarin's most famous strips follow the lives of working class heterosexual men centred around the character of "suburban rocker" Lucien, and occasionally feature LGBT themes that show the characters' assumptions of stereotypes. In Votez Rocky , the characters dress as the Village People and when a stereotypically gay character tries to chat-up Lucien in Le Retour (1993), he remains oblivious to the attempt. These occurrences have been noted to be about reaffirming their masculinity by comparison with non-masculine gay stereotypes, rather than depictions of homophobia. The relationship between social class and sexual orientation is also explored when a character is arrested by vice police in a park along with a number of gay couples and is humiliated by the police officers homophobic insults. In Comme s'il en Pleuvait (2001), the same character finds that the assumption that he is gay, due to a close male friendship, is to his benefit when in fashionable literary groups, where he is seen as more interesting and trendy.
One of the best known and longest-running LGBT comic strips, Dykes to Watch Out For , has been written by Alison Bechdel - dubbed the "elder stateswomen of LGBT comics" - since 1983. Dykes to Watch Out For is known for its social and political commentary and depictions of characters from all walks of life. Bechdel's 2006 graphic memoir Fun Home: A Family Tragicomic was lauded by many media outlets as among the best books of the year.
Underground and alternative comics
LGBT themes were found first in underground or alternative comics, often published by small independent presses, or self-published. Such comics frequently advocated political positions and included depictions of sex, usually not intended solely to cause arousal but included as part of the exploration of themes including gender and sexuality.
“Captain Pissgums and His Pervert Pirates” by S. Clay Wilson in “Zap” #3 (1968) featured explicit sexual homosexual acts, and was instrumental in making other underground cartoonists approach taboo subjects. However gay characters rarely featured underground comics from 1968–1975, and when they did they were usually lisping caricatures and comic transvestites. An instalment of “Harold Hedd” by Rand Holmes in 1971 stands out for attacking the homophobia of Dr Reuben’s sex manual “Everything You Always Wanted to Know About Sex (But Were Afraid to Ask)”, featuring explicit mutual gay sex acts, and promoting Gay Lib.
Eventually comics appeared aimed at a gay audience: the first documented example of a widely-circulated underground gay comic was Gay Heart Throbs , which produced several issues in the mid-1970s, but struggled to find an audience.
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