Nasty Slut Young
Nasty Slut Young
Primal Scream are a Scottish alternative rock group formed in 1982 in Glasgow by Bobby Gillespie (vocals) and Jim Beattie. The current lineup consists of Gillespie, Andrew Innes (guitar), Martin Duffy (keyboards), Gary "Mani" Mounfield (bass), and Darrin Mooney (drums). Barrie Cadogan toured with the band in 2006 as a temporary replacement after the departure of guitarist Robert "Throb" Young. Young's permanent replacement has not yet been announced. They have sold 10 million albums to date.
The band performed throughout 1982-1984, but their career didn't especially take off until Gillespie left his position as drummer of The Jesus and Mary Chain. The band were a key part of the mid-1980s indie pop scene, but eventually moved away from their more jangly sound, taking on more psychedelic and then garage rock influences, before incorporating a dance music element to their sound. Their 1991 album Screamadelica broke the band into the mainstream. Despite multiple lineup changes, the band has remained commercially successful and continues to tour and record to this day.
History
Formation (1982 - 1985)
Bobby Gillespie moved to Mount Florida, the southeastern area of Glasgow. There he attended Kings Park Secondary School, where he first met Robert Young. Another school friend was Alan McGee, who took Gillespie to his first gig, a Thin Lizzy concert. McGee and Gillespie were heavily influenced by punk rock, and they joined a local punk band, The Drains, in 1978. The Drains guitarist was a 15-year old Andrew Innes. The band was short-lived, and Innes and McGee relocated to London while Gillespie chose to remain in Glasgow.
After the punk movement ended, Gillespie became disenchanted with mainstream New Wave music. He met up with another school friend who shared his outlook, Jim Beattie, and recorded "elemental noise tapes", in which Gillespie would bang two dustbin lids together and Beattie played fuzz-guitar. They soon moved on to Velvet Underground and Byrds cover songs before starting to write their own songs, based around Jah Wobble and Peter Hook basslines. Gillespie later said that the band "didn't really exist, but we did it every night for something to do." They named themselves Primal Scream, a term used to describe a cry heard in primal therapy. Still essentially a partnership, Primal Scream first played live in 1982.
Their first recording session, for McGee's independent label Essential Records, was a single track entitled "The Orchard". Beattie later claimed that they burned the master tape. After the aborted recording, Gillespie joined The Jesus and Mary Chain as their drummer, and alternated between both bands. While the Mary Chain became notorious for their chaotic gigs, Gillespie and Beattie expanded Primal Scream's lineup to include school friend Young on bass, rhythm guitarist Stuart May, drummer Tom McGurk, and tambourine player Martin St. John. This lineup was signed to Creation Records, an independent record label founded by Alan McGee, and recorded the group's debut single, "All Fall Down", which received positive reviews.
First recordings (1986 - 1989)
After the release of the single, Gillespie was told by Mary Chain leaders William and Jim Reid that he was to either dissolve Primal Scream to join the Mary Chain full-time or resign. Gillespie chose to remain with Primal Scream. Stuart May was replaced by Paul Harte, and the group then released a new single, "Crystal Crescent". The b-side, "Velocity Girl", was released on the C86 compilation, later associating them with the scene of the same name. The band strongly disliked this, with Gillespie saying that "hey can't play their instruments and they can't write songs."
The band toured throughout 1986, and Gillespie became disenchanted with their performance quality. He said that there "was always something missing, musically or in attitude." The band switched to McGee's newly set-up Warner Bros. subsidiary Elevation Records. Before the band entered Rockfield Studios in Wales to record their debut album, McGurk was asked to leave the band. The group subsequently began recording using session players. They spent four weeks recording with producer Stephen Street before deciding to halt the sessions.
May was subsequently dismissed and Gillespie's former bandmate Innes was brought in as his replacement, and the band finally found a new drummer, Gavin Skinner. With their new lineup, the band re-entered the studio, this time in London with producer Mayo Thompson. By the time Sonic Flower Groove was completed, it had cost £100,000. The album reached number 62 on the British charts and received poor reviews, with Allmusic calling it "pristine but dull." The backlash from the album caused internal strife within the band. Beattie and Skinner subsequently resigned.
The band, now consisting of only Gillespie, Innes and Young, relocated to Brighton to regroup. Young switched to guitar, and they recruited bassist Henry Olsen and drummer Phillip "Toby" Tomanov, who had both been in Nico's backing band, The Faction. They traded in their jangle pop sound for a harder rock edge, or as Gillespie said, "e had found rock 'n' roll." The band's re-signed to Creation Records and released their first single in two years, "Ivy, Ivy, Ivy". This was followed by a full album, Primal Scream . The band's new sound was met with poor reviews, NME called it "confused and lacking in cohesion". Fan reaction was as poor as the critical, as many of their old fans were disappointed or simply confused by their new sound. The album featured Felt keyboardist Martin Duffy guesting.
Screamadelica (1990 - 1992)
The band were first introduced to the acid house scene by McGee in 1988. They were at first skeptical; Gillespie said: "I always remember being quite fascinated by it but not quite getting it." The band did, however, quickly develop a taste for it and began attending raves. The band met up with DJ Andrew Weatherall at a rave, and he was given a copy of "I'm Losing More Than I'll Ever Have", a track from Primal Scream , to remix for one of his shows. Weatherall added a drum loop from an Italian bootleg mix of Edie Brickell's "What I Am", a sample of Gillespie singing a line from Robert Johnson's "Terraplane Blues" and the central introductory sample from the Peter Fonda B-movie The Wild Angels . The resulting track, "Loaded", became the band's first major hit, reaching number 16 on the UK Singles Chart. This was followed by another single, "Come Together", which reached number 19.
The band entered the studio with Weatherall, Hugo Nicholson, The Orb, and Jimmy Miller producing, and Martin Duffy now full time on keyboards. They released two more singles, "Higher Than The Sun" and "Don't Fight It, Feel It", both of which were successful. The album, Screamadelica , was released in the autumn to ecstatic reviews. Ink Blot Magazine said that the album was "both of its time and timeless." The album was also a massive commercial success, reaching number eight on the British charts. The album won the first Mercury Music Prize, beating Gillespie's former band, The Jesus and Mary Chain.
The supporting tour kicked off in Amsterdam, and it included a performance at the Glastonbury festival before coming to an end in Sheffield. Throughout the tour the band and their increasingly large entourage gained notoriety for their large narcotic intake. The band's drug habits have often been publicised, journalist James Brown reported a now infamous story: the bandmates were arguing with one another about whether to get Vietnamese, Chinese or Indian. When one of Brown's colleagues asked them if they'd settle for a burger the band informed him: "It's heroin we're discussing, not food!". Around this time, the band recorded the Dixie Narco EP . Some of the tracks showed a change in the band's sound, featuring a more American blues-rock sound and starting to show a P-Funk influence.
Give Out and decline (1992 - 1995)
The band began work on their fourth album in Roundhouse Studios in London in September 1992. Most of the band members had developed heroin addictions, and as a result the sessions did not produce any new material. The band called in producer Tom Dowd to help. After some short sessions in London's E-Zee Studios, the band, along with Dowd, moved to Alabama. After the completion of the sessions, the band felt that they had "rehearsed the life out of the songs", and they brought in multiple producers to remix some of the tracks. The Black Crowes' producer George Drakoulias did some mixing, as did funk legend George Clinton.
In March, 1994, the first single from the new album, "Rocks", was released to commercial success. It was the band's highest charting single to date, reaching number seven on the UK charts. The single wasn't received well, with NME famously calling them "dance traitors". The album, Give Out But Don't Give Up was released in May to mixed reviews. Whereas some praised the band's new Stones-influenced sound, some dismissed the album as tired and drawing too heavily on their influences. Two more singles were released from the album, "Jailbird" and "(I'm Gonna) Cry Myself Blind", both of which charted progressively lower.
While touring in support of the album, relations within the band began to wear down. The band's American tour, when they supported Depeche Mode, was, in the words of manager Alex Nightingale, "the closest we've come to the
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